Afrah Jamal

Published by Global Affairs / June 2017 Because the dark side does not get enough exposure. Though this is where all the good Samaritans, the creative giants, crusading angels and intellectual powerhouses reside. It is where genius flourishes hoping to break free of type casting. It is where Oscar winners and Nobel laureates go once they have scaled the summit and conquered cultural biases and social disparity. A vat of vice and wickedness amid a sea of green turbans? But their victories are somehow viewed in isolation. They are seen as outliers - their great accomplishments relegated to the shadows in favor of unflattering headlines beamed across the globe that slyly remove the context and reduce the country to one giant misogynistic, intolerant, vat of vice and wickedness amid a sea of green turbans. While the worst of humanity hogs the limelight – our most prized assets go unheralded. And tragedies like Mashal Khan and mafias in religious guise along with shady men with offs...

Published in Economic Affairs / Nov 2013 One day an actress, a filmmaker, a director and a distributor gathered to talk shop over tea. Even though a regional film had won at the NY City International film festival, and another cleaned up the local box-office a few years ago, the obituary for the Pakistani cinema was delivered a while ago. It was to remain uncontested for a long time. Film buffs were left wondering why not a single award winning film (Seedlings) or documentary ( Saving Face) had been screened in the gleaming new cinemas; or where that little advertised indie horror flick disappeared to, moments after its debut. And do local movies even stand a chance against the distributor’s bottom line, or space unfairly reserved for the Indian blockbuster for that matter. Mandviwalla opened the gateway to neighbouring cinema and fielded objections of an uneven playing field with a shrug - good Pakistani movies need not fear any Indian invasion in his view. A few months pass. T...

First Published in Daily Times /Saturday, March 17, 2012 Elegiac laments for a fading film industry are interrupted midway with news that could give the documentary film medium at least a new lease of life . It owes its resurrection to a young filmmaker, who mined troubling sound-bytes overheard in theatres where war, injustice or social disparity reigns supreme. Clips aired at the third Karachi Literature Festival (KLF) held earlier this year provided glimpses of her work, including the internationally acclaimed ‘Saving Face’. At the time, she had an Emmy stacked away for one documentary and was just weeks away from winning an Academy Award for another. At the time, she had been relentlessly crusading to rid societies of those anachronistic practices (among other ills) that weigh them down in the modern world. And — despite these glittering credentials — her work was largely unknown amongst Pakistanis. The young Oscar nominee who took the stage that day would soon be the face o...